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Reprinted from YOGA Chicago
January-February, 2002 Vol. 9, No. 1 (by
permission)
Lilias Folan: Onward,
Upward, Inward
Interviewed by Sharon Steffensen
Lilias Folan is probably the most well-known
yoga figure in the U.S., having introduced
millions of people to yoga through her
PBS-TV series, Lilias! Yoga and You, which
aired from 1972-1992. Now 64, she continues
to teach yoga in her Ohio community, leads
workshops nationally and internationally,
and is a major presenter at yoga
conferences. Her 12 videos reflect Lilias'
same warm, caring, down-to-earth style that
many of us remember from television. We
caught up with Lilias Folan last June, when
she was presenting at the Midwest Yoga
Conference in Ann Arbor, Michigan, and she
agreed to schedule an interview.
Q: Over the years, people's reasons for
practicing yoga have changed. Why do you
think people are doing yoga now?
A: I think that the consciousness of the
planet is evolving. People hear that yoga
has physical benefits-and that is true-but
there is a deeper level of emotional health
that is touched by yoga, and we are ready to
hear. I think it is as simple as that. We
are ready to hear all that yoga has to give
to us. It's like reading a novel. The novel
has not changed but we have changed, so we
are able to hear it differently.
This morning I was reading about karma yoga,
releasing the fruits of one's actions and
not being attached to the fruits of yoga
teaching or meditation. I have read that
many times before, but today for some reason
I heard it differently. There is an aspect
of glamorous yoga that is very athletic, and
those who come to those classes are
attracted to that style of teaching. But
what happens is, no matter what style of
teaching you are experiencing now, you are
going to change and the change is for the
better.
Everybody does downward facing dog. But it
is the teacher and the filter of the teacher
they have that [determines how] they are
going to experience this posture. We have
maybe 100 postures that we do out of 900. It
is the teacher's guidance, the teacher's
filter that it goes through that attracts
certain personalities. Some want to touch
their toes. Others want to touch the God
within.
Q: How has your teaching changed over the
years?
A: From the very beginning when I began to
study yoga in the mid-'60s, it was taught
that everybody did the class the same way.
In a class of 50, all were asked to do
scorpion or shoulderstand. There were no
props. I saw quickly that the middle-aged
group couldn't possibly do some of these
more difficult poses and they needed to be
built up, and that if you have a weak link
in your body-If your shoulders are weak or
your abdominals are a weak link--it affects
the whole body. I saw injuries including
injury to myself. The opportunity to teach
fell into my lap, and I began teaching after
a year of study-much too early by today's
standards. But instinctively I knew we had
to pull postures apart, understand them, go
slowly and fill in the weak links with more
flexibility or strength.
My style of teaching that way continues
today, but I am much more interested in the
emotional body, not just the physical body.
I am more confident about talking about the
witness self, because it is something that
has developed so strongly within me. There
is a witness that watches, that judges not,
that is in all beings. When that emerges,
you are able to watch, listen to your body,
watch it, observe it. Then you are able to
witness and watch your thinking and your
mind, which [for me] is a huge relief. Now I
do not have to be at the beck and call of
every thought that comes trotting through my
brain.
What has changed is [that now I have] more
of a feeling of courage. Time is moving on .
If I am going to say it, I am going to say
it now. It's too important. [My students]
may not get a warm and fuzzy teacher
sometimes. I am very determined. Your
evolvement as a human being is primo, its
terribly important. That's one of the
reasons why we're here--to evolve. I would
not have been able to say that 35 years ago.
I wouldn't have understood it. But today I
do.
Q: How has your practice changed?
A: I think I practice more. I think
meditation is a very important part of the
practice. Whereas hatha yoga might have been
more [important] years ago, today it is the
sitting, the breath work and my hatha yoga
practice which, [together, are] so important
for the body and for how I behave for the
rest of the day--even how I behave in
traffic! You put the yoga mat away and go
out into the world. That's where the
practice is. It's not in the monastery. It
is with the family, interactions with other
people, coming from your heart, and what
that means--not giving lip service.
Q: When you present at yoga conferences, do
you take other teacher's classes?
A: I am discerning about whose classes I
take. But, yes, I think it's terribly
important to put ourselves, as teachers, in
the back row and put on our student hat and
become beginners. I don't always get the
opportunity to do the classes I like, but
Angela Farmer has been one of my teachers
for years-Angela and Victor [Van Kooten].
Cyndi Lee of the Om Center in New York. I
enjoy going to many people's classes who
don't have a [famous] name. I go and watch
them teach and observe. They are wonderful
and spontaneous. Someone like John Friend is
such a delight. Gary Kraftsow, Judith
Lassater--what a joy! Larry Payne, Richard
Miller--they are all unique and different.
What is fun is to experience and see what
their challenges are, [imagine] how I would
handle them and watch them handle them.
Q: What books have inspired you?
A: I have hatha books that I keep for my
reference--Erich Schiffmann's Yoga; The
Spirit and Practice of Moving Into
Stillness, for example. I keep an anatomy
book close by. I am enjoying The Power of
Now by Eckhart Tolle at the moment and
Advaita philosophy by Ramana Maharshi. I
can't get enough. I can only read so much
because it's so deep. That's where I began,
with Ramana Maharshi and the traditional
classical spiritual teachers. Those are my
roots.
Today there are so many teachers. We must
remember that we are here to serve. The rest
will follow. But we are here to serve.
Q: If you had three minutes to do yoga, what
pose would you do?
A: I would think about something that is
seven directions: forward, backward, side,
other side, twist right, twist left. The
seventh direction is doing it from the
quiet, observing, still place. You can sit
on the edge of your bed and do exactly that.
It's better, however, to get to a yoga
class. Yoga videos are there for people to
study with. They are not meant to take the
place of a class if you have got one. There
are many good ones out there.
The seven directions are from the north,
south, east, west, above, below and within.
I like making teaching healthy and fun and
original. Otherwise I would be out of here!
Q: I read that you do the same 90 posturse
that you have always done. How do you keep
it fresh and stimulating?
A: Everybody says it differently. You add
breathing techniques, a variation. There are
always postures you don't like to do.
Q: Which ones don't you like?
A: Balancing postures. If I don't practice
them, it shows. It makes you feel stupid
when you are falling out of it and people
near you are not falling out of it. The part
that is fun is that when you begin to
practice, you see progress.
Balancing poses are remarkable for the
little muscles, the wobbly muscles, I call
them, the ones that help you in golf, help
you to balance on a step ladder, or getting
in and out of a bathtub. [Many] accidents
are caused by getting in and out of a
bathtub. I recommend them for the middle
years especially. If we practice before we
are in these situations, holding onto a
chair, lifting one knee up into stork,
lifting one hand up and focusing your
attention to the belly or on the floor. Hold
five breaths and you've got it.
Q: What are you doing now?
A: I have a teaching schedule. A year ago I
said, "No stress." So I take
workshops and seminars and I give them at a
pace that I want. I come home and enjoy my
husband and grandchildren and a little down
time. I have five grandchildren. The oldest
is 14 and the youngest will be a year. We
sit with the grandchildren when we can, both
my husband and I. We have a farm in Virginia
and we visit that. And I am very much in
contact with my yoga friends through the
world. We pick up the phone. I have had
phone calls from Ireland and England about
the [September 11] tragedy from people who
care.
Sometimes yoga teachers sponsor me and we
become very close friends. That's the beauty
of this journey--the community, the satsang.
In the past, satsang was sitting at the
guru's feet once a week. Not any more. Today
the satsang is the telephone and yoga
conferences. We are 900 strong sometimes
sitting together in one room. We are all of
like minds and not everybody is perfect,
thank God. We are in a community.
Q: You, like most of us reared in the U.S.,
were brought up in the Judeo-Christian
tradition. Has you study of yoga and your
extensive reading in the fields of Eastern
philosophy and religions affected your
observance of Christianity?
A: Yoga is a science and study of the self,
and it never was a religion. It was meant to
support our spiritual pathways and indeed it
does. Yes, my roots are Christian roots.
Somehow I was also born into a great love of
all the religious traditions and have
respect for them. It's just how I came onto
the planet.
When I began in the 60s, yoga was considered
"hippie," "flower
child," "druggies." This is
what people's preconceived notions were. I
started out with some of the greats of the
yoga tradition. At least I got my feet on
the right path.
Q: What is most important to you?
A: It is important to be up and doing.
Onward and upward and inward. Remembering
that the journey is a couple of hundred
miles up a mountain, but it is a million
miles inward. It is something that is
constantly changing and evolving, but with
renewed effort. Now is the time. Renew your
intention for your spiritual evolvement.
That's what I would communicate to students.
There is a lot more to all of this than a
ten-minute headstand.
Reprinted from YOGAChicago January-February,
2002 Vol. 9, No. 1 (by permission)
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